Lens obsessive
Anamorphic flares, Polaroid tones and Cooke S4/i glass are all fair game for a long conversation.

I design brand identities, design systems and product UI. For six years that has meant US and EMEA clients, now at iQuasar LLC where I lead a team of five, plus music and local brands on the side, like the Karvaan EP for Sony Music India.
I came to design through a camera. That’s still me in the picture: on a hike in Kodaikanal, standing in the stream to get the shot.
Off the clock
Three short rolls: a trip, a few faces and some collages. Keep scrolling and the film winds on. Click any frame to see it big.
Sea, forest and the golden dome at Auroville. Shot on a phone, mostly at sunrise, kept short.
The person behind the work, and a 60-second sketch film I animated for a ghazal.


Two days, a pile of old magazines, scissors and glue. Twelve collages for a mixed-media brief, all made by hand before a single one touched Photoshop.



The mixtape
Rafi, Parvaaz, Volbeat and a blues jam sit under him, with three Coke Studio picks. Press any row and the player in the corner takes over, quietly.
Side A · Side B
Press any row. The player in the corner takes over, quietly.
Beyond the brief
Anamorphic flares, Polaroid tones and Cooke S4/i glass are all fair game for a long conversation.

Munnu by Malik Sajad is the one I keep recommending: Kashmir, drawn in ink.
I made the visual identity for the Karvaan EP, launched at ATLIVE in Noida, and the artwork for Ishq.
For Ishq I designed the cover and merch, then shot, edited and colour-graded the live films.
I design for US teams from Srinagar, so time-zone overlap is solved. Relocation is open for the right team.
I will spot a 1px misalignment. I’ll also tell you which ones don’t matter, which is the harder skill.
Get in touch
Open to product design, UI/UX and senior visual design roles, on teams that treat brand and product as one craft. Remote, or relocation for the right team.